Image credits:
(Title image): Leonard Fink, Self-Portrait, Catwalk, Pier 46, 1979. Silver gelatin print, 8 x 10 in. Collection and © of the LGBT Community Center National History Archive.
(c) Riya Lerner, 2018, Leslie-Lohman Museum.
Harvey Redding, Boy Bordello, 2018. (c) Justin Winslow, typeface, 2018.
(c) Sarah Zapata, 2018.
(c) Eileen Myles, Mark Doty, and T’ai Freedom Ford.
(c) William Dieterle, Sex in Chains, 1928. Germany. 90 min. Directed by William Dieterle,
silent with english subtitles
Branden Wallace, Kendall, 2017, C-Print, 14 x 11 in./ Cupid Ojala, White Armful #4, 2015, C-Print, 17 x 11 in. (Sculptures in photo: Ernesto Pujol, ‘Intimate Body Parts’, 1995-1997, Clay and pigment.) Courtesy the artists.
Carrie Yamaoka, 14.125 by 11.625 (black & white #3), 2015 Cast flexible urethane resin, reflective mylar and mixed media. 14.125 x 11.625 x .375 in. © the artist.
Leonard Fink, Leonard Fink, My Son is Gay and That’s OK, 1975. Silver gelatin print, 10 x 8 in. Collection and © of the LGBT Community Center National History Archive.
Tommy Kha, Today Was A Good Day, color photograph, 2018. Courtesy of the artist.
(c) Timothy Schenck, SILENCE=DEATH, Facade Commission, 2017.
(c) Riya Lerner, 2017, Leslie-Lohman Museum
Rob Hugh Rosen, Sylvester, 1970. Courtesy of the Leslie-Lohman Museum.
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