Marketing and Prices
Main ideas:
One, always be nice, gracious, and appreciative of clients,
collectors, support people, and the people who run the galleries that you show
in. You have to be sincere and you have to really understand that they’re doing
you a favor.
Two, don’t overvalue yourself or your artwork and only when
you start selling everything that you make should you really consider raising
your prices.
There was a movie work when Eastwood once said, “A man’s got
to know his limitations.”
I think the same is true about valuing oneself and one’s
work as an artist. I know that in the last 50 or so years we’ve all been
brought up to be the kind of people who value ourselves. However, in an age
where everyone gets a trophy for showing up to sports practice and games,
sometimes we tend to overvalue our worth and the value of our art.
Please don’t be offended but we are not all Leonardos.
Starting with behavior, we all including myself have to
realize that there are probably at least hundreds of people who can do exactly
what we are able to do. Competition is stiff.
In my experience running a
gallery at the school where I teach, Ohlone community college in Fremont
California, I ran the art gallery for couple of years. My experience is that a
lot of artists who I showed were very “entitled.” They weren’t really gracious
nor did they roll with problems that happened in exhibiting in my rinky-dink on
important little community college art gallery. Often they acted like my students were unimportant. (These students are actually long term clients who may buy your art long after they graduate.)
Say it again, "The same audience who could buy there art in several year's time."
As a gallery director I can call them on it but all these people
overvalued my gallery but also overvalued the experience of showing in the
gallery. I guess what I’m trying to say is they should’ve been a hell of a lot
nicer and a lot less demanding.
Of course there were many of the artists who
were totally cool, gracious, and were sincerely grateful to have a show.
I’m not trying to be arrogant, however, I’m really good at
being super cool and gracious when I am given a show at art galleries. I don’t
get huffy and I don’t get demanding with the gallery directors. I don’t worry
about how the work is being hung because they know what they’re doing and I
have to trust them.
I also really try to be empathic with the demands that they
have to deal with both in terms of money and in terms of the demands of their
customers. I felt that any gallery show that I got was a gift because the
gallery itself was taking an enormous risk on me by spending a month of their
walls to show my work. If you look at how much commercial space is cost
sometimes there is much as 50,000 a month. Of course in smaller towns, which
have less important galleries, the overhead is really much smaller however the
cost that that galleries laying out our proportionate to the cost of living in
that area.
When you factor in advertising, the fact that they man the gallery
for eight hours a day, and the aggravation that they have to put up with and
the ass kissing that they have to do with both the artists and the client to
come in I think 50% is a little small of a percentage for them to take on
selling my work.
The lesson is they are outlaying a ton of money and time to
represent you and if you’re snotty arrogant and demanding that I can ask you
back unless you make double their rent that month. I learned that I needed to
get over myself and I needed to get over how much I thought of my work. The
bottom line is I don’t think I ever really covered a gallery’s expenses by
having a one person show at a gallery.
Okay let’s talk about pricing.
In galleries since they have to make so much money to cover
their overhead, rent, advertising, and other incidentals they have to charge a
lot for your artwork. If they charge $5000 and only sell one painting at $5000
and their rent is $10,000 they are screwed financially. So most galleries do
try to inflate your prices and try to get more money. When I was young man,
about 15 years ago, I showed it a very commercially successful gallery. I didn’t
understand the things that I was talking about above and so the gallery would
ask me how much I wanted for painting and I would say $300, the gallery would
then mark the painting up to about $1200 and I would get a check for $300 for
my painting. I didn’t understand at the time that that was okay or cool. And so
I raise my prices to $600 and they had to compensate by raising it even more.
It was kind of like a cold nuclear war. Of course I lost the war because
eventually I out priced myself and was no longer a deal for my collectors.
Now I’m showing online on Etsy.com. Almost all of my work is
priced below $100. Friends of mine often tell me I need to raise my prices. I
did a little while ago and the result was I sold a lot less artwork. When I
looked at my inventory, from a supply and demand kind of orientation, I have
nearly 500 works of art for sale and it doesn’t look like I’m going to sell out
of my inventory anytime soon. Even though I’m getting a lot of pressure from my
wife and my friends to, “get what I deserve for my work.” I am still
warehousing 500 works of art.
I’ve decided that when the demand for my art work exceeds my
inventory that is when I will raise my prices. I do sell a lot of work usually
about 10 to 15 things a month but I’m always in the studio working. I also try
to give away at least 10 to 15 works of art a month and the way that I do this
is that I often throw in an extra work when clients by a painting or drawing I
give them something of the same subject and size. I don’t tell them that I’m in
a do this. I also spend a lot of time on Facebook looking at photographs of
dogs and primarily Chihuahuas. I love dogs and so I’m always sitting around at
night drawing these pictures and so I Facebook message the people whose dog it
is and a lot of times I’ll send it to them for free.
I guess the takeaways from what I’ve been discussing are,
One, always be nice, gracious, and appreciative of clients,
collectors, support people, and the people who run the galleries that you show
in. You have to be sincere and you have to really understand that they’re doing
you a favor.
Two, don’t overvalue yourself or your artwork and only when
you start selling everything that you make should you really consider raising
your prices.
I totally understand that a lot of people can disagree with
me on this and think that I’m not valuing myself enough but if you give
something to someone and they feel that they got a deal and you are both
satisfied with the transaction you both win instead of you running out and
saying “I won I won I won!” Both of you get to say, “wasn’t that a nice
experience.”
Oh yeah. Here's a sample of how I price my work. YES size counts!
http://kenney-mencher.com/
Kenney Mencher
18x24 Painting $128
18x24 Drawing $118
16x20 Painting $98
16x20 Drawing $88
11x14 Painting $78
11x14 Drawing $68
9x12 and 8x10 Painting $58
9x12 8x10 Drawing $48
8x8 $38
http://kenney-mencher.com/
Kenney Mencher
18x24 Painting $128
18x24 Drawing $118
16x20 Painting $98
16x20 Drawing $88
11x14 Painting $78
11x14 Drawing $68
9x12 and 8x10 Painting $58
9x12 8x10 Drawing $48
8x8 $38
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