There is a wonderful exhibit right now that explores the relationship of Picasso and Matisse's in San Francisco work called the Steins Collect Matisse, Picasso and the Parisian Avant-Garde.
While I know I'm nowhere in the league of these two giants I think that it's important to know art history and to acknowledge and incorporate art historical sources into ones art work. So, in my continuing series of posts discussing this I thought it might be cool to discuss this.
The paper cut out collage by Henri Matisse called the Parakeet and the Mermaid has always had a powerful allure for me. I love Matisse's use of color and his beautiful sense of design. I have a postcard of this hanging in my studio and I had this idea to incorporate the way Matisse's work makes me feel. To this end I used some acid free colored pastel paper and made use of Matisse's forms as a partner to some of my portraits that I have in my show in San Francisco at ArtHaus Gallery at 411 Brannan Street. Here are the two pieces:
Morry Eale
20"x16" collage, oil paint,
and graphite drawing on masonite
Read some stories about this character here:
http://kenney-mencher.blogspot.com/2011/03/write-story-about-morry-eale-and-win.html
Eddie Currents
20"x16" collage, oil paint,
and graphite drawing on masonite
Read some stories about this character here:
http://kenney-mencher.blogspot.com/2011/02/write-story-about-eddie-currents-and.html
________________________________________________
Similar blog posts about technique and the use and misuse of art history:
The paper cut out collage by Henri Matisse called the Parakeet and the Mermaid has always had a powerful allure for me. I love Matisse's use of color and his beautiful sense of design. I have a postcard of this hanging in my studio and I had this idea to incorporate the way Matisse's work makes me feel. To this end I used some acid free colored pastel paper and made use of Matisse's forms as a partner to some of my portraits that I have in my show in San Francisco at ArtHaus Gallery at 411 Brannan Street. Here are the two pieces:
Morry Eale
20"x16" collage, oil paint,
and graphite drawing on masonite
Read some stories about this character here:
http://kenney-mencher.blogspot.com/2011/03/write-story-about-morry-eale-and-win.html
Eddie Currents
20"x16" collage, oil paint,
and graphite drawing on masonite
Read some stories about this character here:
http://kenney-mencher.blogspot.com/2011/02/write-story-about-eddie-currents-and.html
________________________________________________
Similar blog posts about technique and the use and misuse of art history:
- Rembrandt and His Wash Drawings
- Rembrandt, Self Portraits and Me
- Rembrandt, Matisse and Me
- Henri Matisse and Me
- Marcel Duchamp, Rrose Selavy, Mona Lisa, and Me
- Giacomo Balla and Me
- John Singer Sargent, Caravaggio and Me
- Velasquez and Cherise
- N.C. Wyeth, Chuck and Me
- Me and Hopper: A Certain Slant of Light
- My Use and Abuse of Photo Reference
- Themes in Art; Sequential Art
art collection are at times strange
ReplyDeletesome are isolated
in korea there is a collection, largely not viewed by a writer named Miller, author of Tropic of Cancer, of water colors
interesting
GOOOOGLED ON HENRY MILLER -
ReplyDeleteDAUGHTER 'VERONICA' HAS WEB PAGE ON HIM WITH SOME OF HIS WORKS, PAINTINS THAT IS
top comment on the talks of abolish book go video
ReplyDeleteart must be communicated not formated
face to face, armpit to armpit, must be only way to communicate; yes find closeness, build not barriers